Tuesday, September 28, 2010

Kindle For the Web


Click through on the banner to access Amazon's "Kindle For The Web" starter page
Amazon has just released its latest version of the Kindle reader, this time as an embeddable widget which allows for reading Kindle e-texts on the the web itself without downloading any software. At this point only sample chapters can be embedded, with links back to that title's Kindle page on Amazon. But according to today's post on the subject at Publisher's Weekly, "its a fairly small leap to imagine the service becoming a portal ... enabling Kindle customers to access their purchased libraries anywhere." At the very least, it's one more useful tool to help promote an author's work, allowing sites such as book review blogs and reading groups to share their latest finds, while allowing more potential readers to sample the work itself without leaving the web page on which they found it.

The Kindle web applet features a number of useful tools within the widget to enhance the reading experience, including resizeable text, three color options, and a button which allows you to share your find via email, Twitter or Facebook. There is also a button that copies the embed code within the widget itself. In addition, if you join the Amazon Associates program, you can earn money from any sales of a title that are driven from your site. Be sure to click the "Full Screen View" button at the top of the widget for ease of reading. You'll find the widget link in the new bright green box on the right-hand side of Kindle book pages on Amazon, where it says "Read the first chapter FREE."

At present, only "select titles" are available, and after searching the Beta FAQ page and all through my Author Central pages, I can find no information as to how authors can get their books into the program. I haven't been contacted by Amazon, and my Kindle page for The Saga of Beowulf doesn't yet sport the "Read FREE" button, although it does now have the bright green box. So I have no idea when or if I'll be able to embed a sample chapter widget for my book. If anyone finds out how to do this, please let me know.

ADDENDUM

After scouring Amazon's Kindle store for the new "Read the first chapter FREE" button, I haven't been able to find a single instance of it, even on the top selling Kindle titles. However, I've embedded the sample code given on the Beta page so you can see what it will look like. You can customize the code for width and height to make it fit your page, and add your Amazon Associates ID for referral earnings. I tried entering the ASIN for my book in place of the one given, but it caused a content find error, although I'm not sure why. Possibly it's due to the illustrations at the beginning of my book, because as you can see I was able to exchange the ASIN for The Children of Odin by Padraic Colum successfully, so you might be able to use your own. The widget is still in Beta, so there are bound to be a few kinks here and there.

SECOND ADDENDUM: THURSDAY, OCTOBER 14

After posting a new version of the Kindle for the Web embed code in today's post (10/14/10), the widget from this post was automatically diverted to the new one, along with the code I embed there, even though the code for this one is still found in the HTML for this post. Why this has happened is a mystery, and I can see no way to solve it currently other than to never post two versions of the embed code on the same blog page - not exactly an ideal solution.

Saturday, September 25, 2010

What All This Means

So you may have noticed I've been talking a lot about technology lately, and not so much about writing. There's a good reason for this. Really, there is. The world of publishing is in a state of flux right now, and it's changing the way both readers and writers approach the written word. Consequently, my life is in a bit of upheaval as well.

For authors whose sole medium is black text on a white background the issue isn't all that critical, since the words are all that matter: the vehicle by which the story is delivered is essentially irrelevant. So long as the reader is able to access the story in a way that's comfortable and cost effective, they will continue reading one way or another.

But I like images as well as words, and I've always had my mind set on adding illustrations to my stories. Because of this, the medium by which my art is presented becomes a much more complicated issue. Even with black and white illustrations such as pens and inks there are inherent difficulties involved with incorporating them into an electronic text. For one thing, every digital format has its own quirks and requirements, some part of which is bound to be incompatible with the author's intended vision of the final work. For example, resizeable text, while a boon to straining eyes focusing on small screen readers, makes it impossible to be certain a given image will accompany a specific section of text, or even fall on the same page. This is made all the more troublesome if you want to wrap the text around a non-rectangular piece of art in creative ways. In addition, custom typefaces such as the Rune fonts I used in The Saga of Beowulf are not allowed, since generally only a handful of standard type fonts are available on dedicated e-readers. And of course, the size of the viewing area ranges widely from one device to another, making anything like standard formatting an impossibility.

But when it comes to full color artwork such as that which you find in graphic novels and children's books, the options for ebooks are even more limited. Electronic ink is still in 1920's black and white, and LCD screens have glare that strains the eyes and washes out outdoors. Only now is color becoming even a foreseeable possibility for anything other than a full-scale computer system, which most people will agree are less than ideal as a reading medium (even as nice as today's flat screen monitors have become). The divide between electronic and printed text is still pretty wide.

But as vast as the distance may seem to be, it's one that modern authors and their readers all must cross one day. For as often as I hear some stodgy reader say they'll never give up their love of holding a printed book in their hands, I have to wonder if it's the story or the book they really love. Because as far as I can tell, authors don't generally sit down to write a book and start by making the paper and ink. Authors write words, create stories, develop plots and take their made-up characters through lands constructed entirely of the imagination. A hero constructed wholly of binary bits of data is no less noble or heroic than that impressed in liquid dye on shredded pulp. Like it or not, it won't be long before the pressures of ecology and economics dictate that books be produced solely in electronic form, with only a handful of limited edition printings remaining for the art collector to treasure. I offer vinyl records as a point in case. Digital is now the standard format for music, just as it will one day be for the written word, whether or not you want it to be.

Either way, for those of us determined to move on into the looming future, it's a reality we have to deal with now. Ebooks are becoming an ever larger share of the reading market, and as much as some would like their books to be enshrined in gold and their covers layered with gleaming gems, those days are gone and fading fast. I haven't seen too many authentic reproductions of the Book of Kells on my local bookstore shelves of late, and in a hundred years the same will be true of pulp and ink. Get over it already. Time goes not backwards.

The future will be filled with a wealth of marvels as yet unperceived. Just as computers themselves have gone from unfathomable to indispensable in the course of a single lifetime, so too will many other as yet unconceived of wonders become reality, and then commonplace. The youth of today don't know a time when there were not mobile devices everywhere, and their kids will not miss the printed books etexts will replace. There are a great many things that can be done in electronic format that could never be achieved in print, such as animated graphics, and stories that teach our kids to read by reading to them, or provide added interactive content to inform and educate, or just to entertain. The ability to buy a book from atop a mountain in Tibet and not have to rent a second U-Haul to cart your library across town to your new digs are just a couple of the reasons I can think of to get rid of hefty tomes right now (not that I plan on moving to a Tibetan monastery anytime soon, or across town for that matter). In fact, I am utterly certain that from this point in my life I will very likely never acquire another physical book in my life. I can honestly see no good reason to do so - unless of course it's a nice, full-color illustrated novel. But then, even their days are numbered. Somehow I'll work out how to incorporate all this 3D color art that I've been working on into the stories I probably should be working on instead. And when I do I know it will be really cool.

Sometimes I wish I was just a writer, and all I had to fret about was how my sentence structure flows and if my narrative is clunky. If all I had to worry about were words and syntax my life would be a whole lot easier, and it wouldn't really matter to me at all if books were printed on barn doors or projected in holographic data. But adding artwork to my stories has changed everything, and it's complicated my life in ways I could not possibly have imagined just a year ago.

But then, no one said the future would be easy.

Friday, September 24, 2010

Audible Mobile

For those of you who, like me, travel a great deal and enjoy listening to audio books while you do, this week's release of the free Audible Mobile Store app for both iOS and Android should come as welcome news. With over 85,000 titles to choose from, never again will you find yourself driving through the middle of nowhere with nothing to listen to. I can't tell you how many times I've got halfway through a library-loan cd set only to find disc 27 wouldn't play, or skipped so bad it was unlistenable, leaving me dangling like a lost participle. Now, not only will I never suffer cd-skip frustration, but when my story ends before my journey does, I can quickly and wirelessly acquire a new hero's quest to accompany my own. And if you sign up now you get two free books!

Thursday, September 23, 2010

POD Australia

Ingram today announced plans for a new Lightning Source Print-On-Demand facility to be built in Australia, with plans to begin operation by June of next year. The plant will produce both paperback and hardback books, but apparently only with black and white interiors, at least initially; color interiors will likely be added later.

This gives Lightning Source its first distribution presence in the Eastern hemisphere, allowing POD authors and publishers to greatly expand their global reach into the Indo-Asian market. It will be the fifth Lightning Source production facility, with two in the U.S., one in the U.K. and one in France, all networked to a central database containing 4.4 million titles.

eBook sales trend 2002-2010
And in related news, eBooks sales soared by 150% in July, to $40.8 million, with total digital sales for the year thus far reaching $219.5 million, double that for this time last year. A Harris survey released yesterday showed one in twelve U.S. adults as owning a dedicated ebook reader, with 12% of the remainder planning to buy one within the next six months. In addition, a Wall Street Journal survey last month found that readers of ebooks tend to read 40% more than those who only consume traditional print books, proving that the digital trend is growing. July's ebook sales were two-thirds that of all print book sales by the eight biggest mass market publishers combined. And that's a number that is only going to get bigger.

Monday, September 20, 2010

My Kindle 3 Arrived!

And I spent two hours buying books. Seriously. Talk about impulsive buying. No waiting in line, no waiting for delivery, no standing in front of overcrowded shelves for hours searching for the right selection, and no more carting around an armload of books so heavy my buying decisions are based on weight.

In fact, the first thing I was surprised by was how light the new Kindle is. It's almost fragile in its thinness, yet sturdily constructed (although I bought a nice slipcover for it just in case). And no matter how many texts I cram into it (stated capacity is 3500, give or take a few), it will never weigh more than 8.5 ounces. By comparison, the 6x9 paperback edition of The Saga of Beowulf weighs in at two full pounds.

Actually, the first thing I noticed was that the screen appeared to be turned on when I opened the box. There was this little reader boy sitting beneath the Tree of Knowledge, enticing me to join him in his search for enlightenment. I didn't realize that an e-ink image stays on screen until another image takes its place. This is one of the reasons e-ink readers have such long battery life compared to backlit screens: it only requires energy to bring up the image, but once it's there no further power is required.

And it does look just like ink on paper. So much that you need a light source to read by, just like any book or magazine. This makes the web look really weird. I give Amazon kudos for upgrading their browser from the previous text-only version to a full scale image-enhanced rendition. But it's still pretty clunky, and I doubt I'll spend much time using it. Still, as a tool to expand the reading experience with quick reference capability it's a highly useful and welcome addition. A simple search will bring up all the info you could ever want to know about an author or a work you're currently immersed in.

The one thing I'm not overly enthralled with is the tiny 5-way navigation button, which I keep missing and hitting the "back" button. Not being a touch screen, this is your primary means of navigating through on-screen content, and so could stand to be a tad more prominent. But I imagine I'll get used to it soon enough and start to work my way forward more regularly, with fewer backward steps.

Sunday, September 19, 2010

"Das Rheingold" To Open Met Season

The 2010-11 season of the Metropolitan Opera will kick off October 9th with a new production of Das Rheingold, the opening prologue to Wagner's four part opera. Successive installments will be performed over the course of the coming year, followed by the complete cycle in spring of 2012. This will be the first new production of Wagner's Ring cycle at the Met in nearly a quarter-century.

The creator behind the production is Robert Lepage, Canadian director of Cirque du Soleil, whose high-tech wizardry has been amply applied to the visual look and daring set construction of what the Met says will be "the most complicated production ever put on its stage."

A new moving stage weighing 45 tons will be used, consisting of 24 wedge-shaped planks balanced on a central axis like teeter-totter seats, each moved independently on computer-controlled hydraulics to create a moving set that flows like water. To support it, three new steel girders were installed beneath the Metro floor. Set decoration will consist almost entirely of digital imagery projected on the moving planks. According to James Levine, the Met's musical director (who has conducted 21 productions of the Ring at the Met), Lepage's conception is to tell the story without resorting to the allegorical gimmickry that has often tended to detract from modern productions.

Anticipation for the new production is high, with tickets for the opening performance sold out and a record-setting 24,000 tickets for the coming season sold on Sunday alone ($2.6 million worth, with individual ticket prices ranging from $25 to $420). The project is of particular interest to me for obvious reasons, and I'm hoping to get to see at least a part of it. If the production is well received it could stimulate interest in my own adaptation, or at least help to gain some name recognition among potential readers. Either way, I'll be interested in seeing how they envision the characters and story; if it's even half as cool as Cirque du Soleil shows tend to be, it will be nothing short of awesome.

For a really cool promo video click this link: http://video.nytimes.com/video/2010/06/06/arts/1247467996151/trailer-ring-cycle.html.

Tuesday, September 14, 2010

Color e-Ink Is Coming


Color e-reader display from E Ink.
 The New York Times this weekend published an article that was of particular interest to me. E-Ink, who make the "Electronic Paper Display" (EPD) screens used in such ebook readers as Amazon's Kindle, the B&N Nook, and the Sony Reader, have developed a color e-ink film which has the same qualities and benefits of the current black and white incarnation: i.e. low power consumption, thinness and light weight. E-Ink says their color display consumes no more power than its black and white predecessor, so incorporating it into ebook readers is only a matter of image quality at this point.

As you can see by the prototype image at the left, the color depth and contrast have not quite reached the level of backlit LCD screens, looking much more like a colorized version of an aging black and white photograph than a bright, crisp, hi-tech electronic display. And while this has a certain charm that might be welcome at times, according to Amazon's senior public relations manager, E-Ink color displays "aren't ready" yet. So don't expect a color Kindle to arrive in time for the holidays. At least not this year.

Reflective color screen from Qualcomm
But Qualcomm, makers of mirasol, a reflective color display that uses "tiny, mirrorlike elements" smaller than pixels which can "selectively reflect ambient red, green or blue light" will begin shipping their screens to device makers by year's end, saying they should be available to consumers early next year. Significantly, mirasol's particles can switch color fast enough to display video, making it web-browser friendly.

E-Ink also states that they will begin shipping their color display film to device manufacturers by late fall for use in a wide array of products, from watch screens to promotional displays. The company currently produces a product they call "Ink-In-Motion" which displays an animated image - easily viewable from any angle and under nearly any light conditions - capable of running for six months on two AA batteries. And while its frame rate isn't up to full video performance quality just yet, that will likely improve at a fairly rapid pace. According to E-Ink's website, in the future "electronic ink will permit most any surface to become a display, bringing information out of the confines of traditional devices and into the world around us." And that's a future I'm definitely looking forward to.

PzDB 1.2 Is Here

A few weeks ago I did a post introducing PzDB 1.1, following it up with some thoughts on my initial experience using it. Since then I've been waiting anxiously for the imminent release of version 1.2, which promised to add some key features, such as the ability to remove keywords as well as drag-and-drop integration with Poser. Happily, I didn't have to wait for long.

As promised, among the many significant new features are a set of new buttons which allow keywords to be added or removed at a stroke - and not only from single items, but from group folders and entire search results. This facilitates a much cleaner database, allowing you to fine tune your future searches more effectively. So, for example, you can remove the keyword "tree" from your Tree Frog model, so that a search for trees to populate your scene doesn't include the frog, which you would likely never use the search term "tree" to find. And while the default results are generally effective, and even impressive, with each new search and weeding the program's results and efficiency improve.

Equally impressive is the speed at which the whole process takes place. Out of curiosity, I uninstalled V1.1 and did a fresh install of 1.2, rather than importing my previous database, just to see if the claims of "more than doubling" its speed held true. After starting the scan process I let it run for a couple of hours before checking back, expecting to see maybe 25% progress completed, but to my surprise it had already finished. And not only did it perform much faster, but it did so while also including scenes, geometries and texture files in its indexing as well. Internal searches of the database are vastly faster, and cross-links so far seem more intuitive and accurate.

In addition, PzDB now works with many of the other major 3D render programs out there, including DAZ3D, Maya, Bryce, Lightwave, Vue, and Carrara, and incorporates drag-and-drop functionality on Windows systems. It will now also catalog DS and Python scripts, as well as 3D Object files and rendered images. New icons have been added to more readily discern the type of items being viewed, and there is now a browser history that allows you to return to previous search results without having to type in your keywords again.

To get a free, fully-functional 60-day trial, click on the image to the left and try it out for yourself. PzDB 1.2 is on sale now for just $29.95 for the single license version (regularly $39.95), or $54.95 for an upgradeable 1.x version (normally $69.95, and still well worth it). And if you don't need or want any of the new features, you can now get Version 1.1 for only fifteen bucks. But hurry, because the "introductory" sale ends soon. (By the way, I don't get paid to promote it, though I think I should.)
I have to say that the one thing I really dislike about the new, improved PzDB upgrade, is the all-new, totally lame-ass icon. I mean, honestly, what's with the hockey puck? Bring back the little mannequin dude.

Monday, September 6, 2010

(Self-)Publishers Weekly

In yet another sign of changing times, the venerable Publishers Weekly has just announced a new program dubbed "PW Select" which will allow self-published authors to be listed - and potentially reviewed - in a quarterly insert dedicated to the "DIY" niche. PW expects the quarterly supplement to be a minimum of 16 pages, and contain at least 25 full reviews, as well as an overview of submissions during that quarter and feature commentary on the "self-publishing world's explosive growth and the important players." According to the PW Select webpage, the insert will be bound into the regular issue for that week, and will also feature interviews with a few selected authors from among the titles listed.

To get your book listed requires a $149 "registration" fee (elsewhere called a "processing" fee), which entitles your book data and description, as well as contact and order info, to be included in both the print and online editions. In addition, you will receive a 6-month subscription to the digital edition, and a print copy of the quarterly publication in which you are listed. However, although the fee guarantees a listing, books are selected for review entirely at the editor's discretion, "based on merit" (as they should be: paid-for reviews only guarantee uninterested readers will view your work, which increases the likelihood of paying for negative reviews). Review selections will more than likely be based on the relevance and/or uniqueness of the book's content, initial quality-of-writing inspection, and finding a reader interested in your particular genre or subject (both fiction non-fiction are accepted).

Publishers Weekly (in print since 1872) is seen by agents, booksellers, publishers, distributors, librarian, and media critics, so a positive review could potentially bring your work to the attention of important players in the industry, as well as providing significant visibility to potential retailers. This makes it a fairly cost-effective marketing option, even for the listing alone, which is all that most submissions will receive.

The importance of this announcement cannot be overstated. In essence, I see it as an arm of the publishing industry reaching out in support of the non-traditional element, essentially validating its merit; which, for a niche often rightly viewed as the dregs of the publishing world (i.e. highest percentage of crap per capita published), is a major paradigm shift. It shows that at least to some extent the publishing world is evolving with the times. With at least 100 self-published books per year now getting reviewed by a major trade, the number of self-published books sold is bound to climb - at least for those lucky few.

The first submission period is now open, running through October 31st, with the first quarterly edition scheduled for December 21st.

UPDATE:

According to a comment response posted by PW President George Slowik, authors with a PW digital or print subscription are entitled to one free listing (presumably per subscription period). Digital subscriptions run $180/year, with the print edition going for $249 for 51 issues.